
| RECENT WORK | ARCHIVE | BIOGRAPHY | ESSAYS | PRESS | CONTACT |
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BROTHER DAVID'S LAST
MISSION |
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'Brother David's Last Mission.' 2009/10 The first stage of this work was very colourful with large areas of reds and yellows. The first image to appear was the Indian. I had used him in a small watercolour, working from a plaster figurine bought in a market in Rio. The Indian or Cobloco, appears to be a combination of native Brazilian and North American Indian.. certainly a symbol of freedom in a slave culture. He is usually presented carrying a deer carcass across his shoulders. (In the painting, the reference for his background came much later from a DC western comic.) As the work developed I began to mix other references from the market ..toys, childrens' carnival costumes, masks, along with ex voto heads and figures from the museum. My version of Yemanja is matched with a punk Barbie and a toy aesthetic prevails. The young priests head emerged as I painted a group of Ex Voto heads and became a likeness to a cousin who in a previous life was a Christian Brother .Br David. Last Mission refers in part to a collage based installation by Ovind Fahlstrom 1966 Venice Biennale where painted comic cut-outs were presented, floating against a cream background.( Fahlstrom is an acknowledged early influence) The combination of large scale, fast drying paint and quick changes in images was a liberation after the endless revision of the previous works in oil. I can see clear connections between the new paintings and the collage-based works from the 70's and 80's, without the rigidity of method on which the early works depend. Alan Robb14th July 2011 |
• ESSAYS,
QUOTES AND OBSERVATIONS • A PAINTED
WORLD • SACRED AND
PROFANE • UNDERLYING
CURRENTS AND CONCERNS • AN ARTIST
IN THE HOUSE OF MIRACLES • BROTHER
DAVID'S LAST MISSION • I LIVE
NOW • IN THE
MIND'S EYE • TRUE
KNOWLEDGE |
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ALAN ROBB
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